ERIC SMITH

Literary Agent & Young Adult Author

  • Home
  • Blog
  • My Books
  • Anthologies
  • Agency Books + Sales
  • MSWL
  • Query Tips
  • Contact
  • Press Kit
StockSnap_JQLWMUC4GD

StockSnap_JQLWMUC4GD

How to Nail an In-Person Pitch: Some Questions You Should Be Ready For

March 13, 2017 by Eric Smith in Agency, Conferences, P-S- Literary, Tips

I love taking in-person pitches at publishing conferences.

It's how I found Lindsey Smith (her award-winning cookbook, Eat Your Feelings, came out with St. Martin's Press in 2017!), and I've had the wonderful opportunity to talk with numerous writers around the country. About their books, about their platforms, all kinds of good stuff, sharing advice as well as dishing out suggestions for their projects.

But without fail, at every conference I attend, there are certain questions I ask that seem to trip writers up. And sometimes, not having answers to those questions sends up serious red flags.

So I thought I'd do a little post, to dish out some tips for those of you pitching agents and editors in-person. Because while you may have polished that pitch to perfection, you're going to need to answer these kind of questions.

Leave Room To Talk

First, before we dig into any of these bits… leave room to talk. It can be tempting to spend the entire ten or fifteen minutes explaining why your book is amazing, but… what if the agent has questions? What if you forget to mention word count or talk about your platform? What if the discussion ends before you finish even explaining your book?

You might miss out on answering the questions the agent needs to really get hooked. Don’t spend the whole time talking. Leave room for a conversation.

What's Your Book About?

Right away, at every conference I go to, when I sit down with an author, this is what I open up with. Tell me about your book. What have you written? What's it about? Give me the details.

This should be the quickest and easiest question to answer, but sometimes it trips people up.

Every writer comes prepared to talk about their book at these things. It's why you are there, for the most part. But not every writer is able to talk about their book in a quick, succinct way. Remember, you've only got like ten, maybe fifteen minutes here to sum up your entire story.

Don't use this time to explain the entire intricate plot of the book. This isn't a book report. Treat it as though you're reading the back-jacket copy of a book to a friend in your local bookstore. You're shopping and you're trying to sell them on this book. That's what you would show them.

You can read the jacket copy of a book in a minute or two. You want to have plenty of time for the agent to ask YOU questions and for you to ask your own. Don't spend it explaining every little thing. Save room.

How Many Words?

Know the word count of your book. Agents and editors are going to ask this.

And that being said, before you even get ready to pitch, know what the typical word count is for your respective genre. If you show up boasting an enormous, unheard of word count for a book, it might tell the agent / editor that you're not familiar with the genre.

Writer's Digest has a great post about typical book lengths here. There are exceptions to every rule, of course. Just be savvy.

What Have You Read in the Genre Recently?

Speaking of genre... I get pitched a lot of YA, sci-fi, and fantasy at conferences, which is fantastic, because that is what I'm there looking for. But nothing makes me hit the brakes faster than when I ask what a writer has read recently in their respective genre, and they don't have an answer.

Or even worse, when they say they don't really read in their genre.

If you tell me that you don't actively read, that throws up a red flag. When potential YA authors tell me the last great YA novel they read was The Chronicles of Narnia (this happens a lot, this isn't a silly joke example) or that they don't really read YA at all, I immediately lose interest.

I want to work with writers who actively read where they want to write.

Be ready with an answer. And if you don't have an answer because you aren't actively reading the kind of books you want to write... maybe rethink what you're writing? The best way to be a good writer, is to read. If you aren't reading, you probably aren't writing anything worth reading.

What's Your Platform?

This is the kind of question you're going to get asked if you're writing non-fiction.

As I've rambled about on here before, platform doesn't really matter when it comes to fiction. It helps, sure. But, your story is what's important here. But with non-fiction, editors and agents want to work with experts. Writing memoir? They want to work with authors who can prove people want to hear their story. Writing a collection of essays? We're going to want to see where you've been published before.

And when it comes to that non-fiction book you're working on, be it about a major historical figure or how to be a good parent, you need to show your expertise. Where have you been blogging? Where have you been speaking?

Remember, platform isn't just your social media presence. It's your regular speaking engagements, the places you've written. Make sure you're established there, and have something to discuss.

What's Your Life Outside of Writing Like

Gasp! A question that doesn't have to do with your book? That's right.

Here's the thing about agents and writers, friends. It becomes a very personal relationship. For some. At least, for me it does. These become the people you talk to every day. Me and my authors, we talk in Google Chat constantly. We text. We gossip about non-book things frequently. The relationships often become friendly.

So be ready for an agent to want to get to know you a little better. Don't shrug and say "oh, nothing really interesting" when chances are, you do have something interesting. Share bits about yourself. Your hobbies. What you do for a living. What you're studying. Things like that. Making a personal connection is important here.

---

And those are the usual things I bring up. So! Come ready with answers. Because we are going to have questions.

March 13, 2017 /Eric Smith
Advice, Agenting, Conferences, In-Person Pitching, What to Say
Agency, Conferences, P-S- Literary, Tips
23 Comments
auggie

auggie

My First Full Year as a Literary Agent: Six Lessons I Learned

January 02, 2017 by Eric Smith in Agency, Books, Eat Your Feelings, Erica Cameron, HarperTeen, Laura Apperson, Laurel Amberdine, Lindsey Smith, P-S- Literary, Pax Novis, Publishing, Rebecca Phillips, REUTS, Samira Ahmed, Sky Pony Press, Soho Teen, St- Martin's Press, Swimming Lessons, These Things I've Done, Tips

So last year was my first full year working as a literary agent.

I had a lot of awesome victories that I shouted to the social media winds and posted about here. I signed a number of rockstar authors, from well-established authors to debuts. You can check out my team in this handy Twitter list. They are all wonderful. I went to a bundle of conferences all around the country, so many that I can't remember all the places. I even sold some books I can't quite announce just yet.

And the ones I did announce? I'm so proud of them.

  • Erica Cameron's inclusive space opera, Pax Novis, sold to Entangled Teen in a three-book deal for the entire trilogy. It's like Across the Universe, Star Trek Voyager, and The Expanse mashed together, with teens crossing the stars to find their way home and save humanity.

  • Lindsey Smith's Eat Your Feelings, a kick-ass, body-positive cookbook, is off to St. Martin's Press. Because cookbooks that suggest new ways to eat, shouldn't make you feel bad about yourself. This deal surprised friends, because apparently no one knew I wanted to work on cookbooks? Please send me cookbooks.

  • Samira Ahmed's incredibly needed and heart-wrenching contemporary YA novel about Islamophobia, Swimming Lessons, sold to Soho Teen. I met Samira on social media, and things happened really fast (more on that shortly). And I'm not surprised. Her prose is gorgeous.

  • Rebecca Phillips' These Things I've Done, a YA contemporary novel that made me weep, sold to HarperTeen in a two book deal. I broke down and cried in a cafe in Philadelphia when this one happened, as witnessed by some friends who were there. I recently finished reading Rebecca's second book, and it is just so wonderful.

  • Laurel Amberdine's high-concept, thrilling fantasy YA debut, Luminator, sold to REUTS. Whenever I explain this book to people, I mime holding up shields and talk about how it's a novel where people fight with light. I cannot physically explain this book without immediately acting like I'm in a LARP. And I love it, and Laurel's masterful world-building, so very much.

And while all of that sounds awesome, there were some big hurdles in the mix, and some major lessons I took away. Because for every author I picked up, there was another I didn't get to work with. There were conferences that were, sadly, not a good use of my time. And I'm going to try to get better at handling all of these things.

Here are some of the lessons I learned, that I hope you can learn from too.

jet

jet

1. Traveling is Great, But Self Care is Better: Last year, for the agenting side of things, I traveled to conferences in Washington D.C., Nashville, Detroit, New York City, Philadelphia, Minneapolis, Boston, Dallas, Chicago, Pittsburgh, Los Angeles, Miami, and did several here in my new hometown of Richmond. I went to Mexico for a writing retreat for nearly two weeks.

Some months, I was going to a conference every other week. I had to search my Gmail to remember where I went, and I still missed a few.

I'd just moved to a new city, where my wife and I were (and still are) trying to start a new life. I was teaching several classes while in Philadelphia, and after we moved, was teaching three here in Richmond at a new school. I had deadlines for my own writing. Papers to grade. Manuscripts to edit and query.

I burned out fast.  This year, I'm trying to only do one big event a month.

Conferences are fantastic. It's a great opportunity to meet people in the industry, and if you're an author, pitch agents. And if you're an agent, meet authors! I met Lindsey Smith at a conference in Philadelphia, and wanted to work with her immediately. But if you're traveling for writing events, pace yourself. Don't jump on every single travel opportunity just because you want to go someplace new, or because you're eager to discover someone at the risk of your own physical and mental health.

No book is worth that.

---

tenn

tenn

2. Workshops & Talks Aren't Just About Finding Writers & Agents: Speaking of those events. One of the big highlights of a lot of these conferences are those agent and editor pitch sessions. Authors come in, have about ten minutes or so to dish out an idea, and an agent or editor can ask to see pages or a query. Or they share tips, advice, etc. in those few minutes you have together.

But these workshops are about so much more than that.

I spend a lot of time at these workshops talking to writers outside these sessions. Sharing advice. Suggesting contacts. I spend time meeting other editors and agents, and listen to their stories. I ask what they are looking for. What they've learned.

Going to a workshop? Planning to pitch an agent or an editor? Great. But bring a bunch of business cards. Come ready to mingle, and meet more people than the one person you've booked time with. I met so many great industry people in the past year, one of whom even took on a project of mine (hi Laura!), Lindsey Smith's Eat Your Feelings.

It's about way more than making just one connection. It's about making dozens of them.

---

pick-me

pick-me

3. You Won't Get Every Book & Author, And That's Okay: There were several authors I desperately wanted to work with, but simply couldn't get to their books fast enough. Or, I dropped absolutely everything (ie: I read a manuscript while in Colombia for my best friend's wedding), read their book as quick as I could, and didn't get the opportunity to represent them. Sometimes we'd have fantastic, long phone calls, and still. Didn't happen.

At first, I'd whine a lot to my wife and bookish friends. And then when I'd see those books sell, oh man, the intense feelings. But something else happens after all that. Or at least, should happen after all that.

You get to become a fan.

The best thing you can do in this case, is become one hell of a supportive fan. So you weren't brought on to be the coach / cheerleader hybrid that an agent tends to be (is this sports metaphor working I don't watch sports). That's alright. Cheer from the sidelines. There are quite a few authors who queried me that I didn't get to represent, but now I talk to frequently as a friend. We've seen each other at conferences. They're friends with my clients. And I couldn't be more excited to see those books out in the world.

If you think I'm vaguely talking about you, I am. And I can't wait to have your book on my shelf.

Be a fanboy first, an agent second.

---

powerpoint

powerpoint

4. Talk at People Less, Answer Questions More: One of the last bookish events I did in Philadelphia was with Chuck Wendig, at the Doylestown Bookshop. When he opened up, he said that these sort of events were way more interesting when he just answered questions.

And that's what he did. For like, a half hour, took questions from the audience, and then he read a little bit. And it was fantastic. I've since stolen this.

See, this is another conference lesson I quickly learned. A lot of these events ask you to come ready with a presentation. How to Write a Good Query. What an Agent Does. How to Do Social Media. Etc. At first, I rolled in with a sheet of paper and gave a long ramble of a lecture, like I do when I'm teaching. But when I opened up for questions, almost none of the questions had anything to do with what I covered.

At conferences, people are there to have these questions answered. They've come ready with them. So instead of spending time talking at people, spend your time talking with people. That's what they want.

You will never see me at a conference with a PowerPoint presentation. Don't invite me if you want one.

---

cant-do

cant-do

5. Be Persistent, Don't Give Up: I didn't really learn this. It's something I've always embraced. But I saw proof of it working in this year, when manuscripts I'd been pushing and fighting for finally got picked up.

Exhaust every damn option. And then find some more.

---

tom-hav

tom-hav

6. Embrace Social Media & Community: I'll be honest. After I left a position where my job was social media, I planned on never really using it as aggressively I was once did ever again. I'd post still, sure. But I was done. I was going to keep working on my aging, slowing iPhone (I had an iPhone 4 up until a few months ago) and keep using my dying iPad until it just gave up.

But then, I found Samira Ahmed during a Twitter pitch event.

I'd done a few of these, scouring through the hashtags to find talented writers. But Samira was the first person I signed as a result of one. And her book went off to Soho Teen a few months later.

But there's more to it than just that. I met Erica Cameron thanks to Tristina Wright, an author I adore but I've only gotten to know as a result of Twitter. I met Bassey Ikpi after a friend sent me a Facebook Messenger note (thanks Steve!). Authors I've become friends with on the Internet, quickly turned into real-life pals who recommended clients my way... because of social media.

I really believe that social media is less about trying to sell books in the publishing space (I've talked about that here), and more about being part of the community. Getting buy-in, not sales wise, but personality wise. It shows readers, writers, industry folks... that you're someone they  might want to work with.

Social media quickly became something else for me entirely. Less of a way to do work, and more of a way to connect, and maybe eventually, do some work. I find I enjoy it way more when I'm having fun on it.

---

So to conclude! In 2016, I learned to travel less, and nurture more. To make connections, and to talk with, not talk at. To have fun in the bookish social media space. And to keep being, as the youths like to say, "persistent A.F."

And I hope you'll do some of the same, in 2017.

January 02, 2017 /Eric Smith
Conferences, Networking, Publishing, Social Media, Writing Conferences
Agency, Books, Eat Your Feelings, Erica Cameron, HarperTeen, Laura Apperson, Laurel Amberdine, Lindsey Smith, P-S- Literary, Pax Novis, Publishing, Rebecca Phillips, REUTS, Samira Ahmed, Sky Pony Press, Soho Teen, St- Martin's Press, Swimming Lessons, These Things I've Done, Tips
3 Comments

Powered by Squarespace